EST July 2004 | The only approved source for all things on WWE Superstar, Randy Orton.

In a recent interview with The Classical, Shield member Dean Ambrose was asked about who he’d like to feud with. Check out what he had to say about Randy below:

Who do you want to feud with in the future?
Randy [Orton] is a guy. I’m on the same side of the fence as Randy right now, but Randy’s a guy that I love watching work. He’s a guy [where] I’ll always stop and watch his matches.

Randy Orton is back: He’s back playing a bad guy, he’s back in World Wrestling Entertainment’s main event picture, and the WWE Championship belt is back around his waist.

“It feels really good,” says Orton, on the phone Monday from Toronto before going live on “Monday Night Raw” that night. “I’m glad I can get another shot. Not to harp on the past or anything, but I’ve made a few bad decisions here and there, and this is my chance to prove not only to the fans but to the company that I can carry the ball and represent the company.”

Among those bad decisions was a May 2012 violation of WWE’s Talent Wellness Program policy, which covers the company’s rules on substance abuse. Orton was suspended from WWE for 60 days, his second Talent Wellness Program violation.

Since his return, Orton — who had been cast in recent years in a good guy, or babyface, role — had been hanging around the company’s midcard in substandard storylines. But several variables, including an injury to one of WWE’s top guys, opened the door for Orton’s return to the top.

“I’m not saying that’s the sole reason, but it doesn’t hurt,” says Orton, referring to the sidelining of John Cena, who recently underwent surgery on his tricep and is out for four to six months. “They needed somebody, and they looked around and they go, ‘There’s our guy!’ It’s not like I said, ‘Hey guys, I got an idea. Help out.’ ”

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Perhaps it’s only natural, given their often larger-than-life personas, but professional wrestlers have been among the biggest beneficiaries of modern-day “branding” and branching out in the entertainment world. World Wrestling Entertainment, or the WWE, has smartly tabbed a number of its rising stars for movie properties. Among the latest to test the acting waters is nine-time world champion Randy Orton, who takes his first crack at a starring role in “12 Rounds 2: Reloaded,” a discretely plotted sequel/spin-off to 2009′s “12 Rounds,” starring John Cena. In the movie, Orton plays Nick Malloy, an emergency medical technician who finds himself locked in a “Saw”-like game of cat-and-mouse with a vigilante tied to his past. For ShockYa, Brent Simon had a chance to talk to Orton recently one-on-one, about acting outside versus inside the ring, his wrestling family roots, and his tattoos. The conversation is excerpted below:

ShockYa: Wrestling obviously takes a lot out of you physically, but its action exists in a longer form. The action in movies can be very intense, but it’s often shot in bits and pieces. How did you take to that change — was it hard to keep the adrenaline up?

Randy Orton: It was two completely different things for me. The stuntmen loved me because I was wanting to do everything. There were only a couple stunts that I wasn’t allowed to do myself. Short little takes are how a lot of directors would piece a scene together — and spend days and weeks on a fight scene. Roel Reiné, our director, spent five hours on a fight scene where I fight two cops. It’s not the longest fight scene — it’s about a minute or a minute-and-a-half (in the movie). It’s really cool. Even though it’s take after take, we shot for a long time. That was all we did that day. As a matter of fact, I think that was our first day. Roel knew that beating up the stuntmen and kicking them in the face would probably be a little easier for me, and less stressful (laughing), than any of the real heavy acting stuff. So he was warming me up. But I was a lot more dressed than I am when I’m working in the WWE. There are lots of differences. Usually I’m wearing my little tights out there, and on the movie I’m dressed (with pads). And I had the EMT outfit, which also felt really awkward. But I had to feel like an EMT. The few hours of acting classes that I was able to get under my belt before this movie definitely helped me try to get as comfortable as I could playing the character I was playing.

ShockYa: You mentioned jokingly the stress of some of the bigger acting scenes. But when you’re wrestling there is definitely an element of performance — it’s just that you’re playing big dramatic moments to a crowd, in the round. How do you take that experience and shrink it down to acting for the camera?

RO: Like you said, in the WWE ring, with viewers at home, I’m working toward five, six or sometimes even seven cameras at a time, where I know that at any time one of those cameras could pick me up. I’m also working to the people that are sitting up in the rafters — well, there’s no such thing as a cheap seat, but I’ll say cheap seat for now — because I want them to see every little thing I’m doing. So things in the ring are definitely bigger, so that you can see them. But the movie world is completely different, and you have to hone things down because when that camera is so tight on you and so intimate and right up in your face, it’s going to catch every little thing that you give it, and it’s very easy to overdo it. I think the best advice I got is that acting isn’t acting — you just want to just be, you want to be just real, be in the moment and react. If I’m in there with someone like (costar) Brian Markinson, who’s been around and knows the ropes, I need to be able to react off of him. But I was surrounded by great actors, and even some of the lesser known actors in the film were fantastic for me to work with. They were light years ahead of me as far as knowing what to do in that world. If they were in a WWE ring they’d be lost and yeah, I’d have to help them, but here I needed their help. I approached it like that, very humble, and just said, “Hey guys, I’m a first-timer, so please help me.” And of course they want the movie to be as good as possible.

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